Performed live by Andrew Garton (voice, processing) and Kelly Churko (noise) , With A Will Base Metal Zone grows from a text by Sydney based writer/filmmaker, David Nerlich.

Garton has performed countless versions of Nerlich’s original text, With A Will, with as many collaborators. This is a unique “noise” interpretation of this work from two consumate artists.

Performed live at Soup, Oichia, Tokyo, 23 August 2008.

 
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Andrew Garton teams up with Canadian born, Tokyo resident noise artist and guitarist, Kelly Churko. They perform Steel Red Sky Drift, a piece based around Garton’s distinctive vocals.

Performed live at Soup, Oichia, Tokyo, 23 August 2008.

 
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On the eighth day of the eighth month of two thousand and eight I performed an entirely new solo set to mark the launch of my new album, Son of Science.

At 11 pm I stepped into one of the simplest set up’s I’ve used in years, tipping into the unknown at Soup, the undisputed underground venue for Tokyo’s noise and ambient scene. The ideas for the piece were first formulated in Brisbane when working on the recent Terminal Quartet piece, Licht Drift.

The delivery was more in keeping with my former Fierce Throat pieces and was an entirely enjoyable, if but intense experience to realise! I was to play some acoustic guitar treatments, but couldn’t stop the PA from feeding back… I was perched just above the sub! Guitar will have to wait!

The entire evening was a splendid, reverberant evening of new, fresh and solid sound works from the crew at Soup, including the delightful Paul(ie) Dunphy (aka Evil Penguin).

 
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From the Terminal Quartet Drift Theory series, performed at the ccSalon, Building an Australian Commons, State Library of Queensland, 24 June 2008. Performers included Andrew Garton, Lawrence English, Andrew Kettle and Julian Knowles.

 
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Son of Science Ensemble live ambient set at Horse Bazaar, Melbourne, August 5 2007. Garton’s farewell gig!

 
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Steve Law (Zen paradox) and Andrew Garton (Son of Science, Headlock) live at the Uni Bar, Southern Cross University, Lismore, Northern NSW, Australia - 24 February 2007.

 
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Korean line-up of Terminal Quintet performing Synesthesia Urbania.

Recorded at Art Centre Nabi, Seoul, August 2005. Performed by Jin Sangtae - Laptop, Middlewave Radio, Ryu Hankil - Laptop, Choi Soohwan - Laptop, Hong Solme - Cello and Andrew Garton - Laptop, theremini, programming.

 
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Three compositions for piano composed and performed by Andrew Garton. Recorded in Byron Bay (NSW, Australia), 1991, originally conceived for a Dance Works production and the spoken word opera, Black Harlequin.

 
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New composition, Bencerto and live performance from Sydney based, Mesh.

Featuring Ross Bencina (Audiomulch), David Nerlich (Mesh) and Andrew Garton performing Bencerto (2004). Including a piece from Sydney improvisation trio, Mesh, performed in 1996 at The Performance Space.

 
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Garton presents Secession Records Podcast #22 from Ithala, South Africa. Featuring Zulu drummers and Son of Science’s “Foley Interlude” recorded live at OPEN CHANNEL, Docklands, Melbourne, December 2005.

 
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