http://blog.secession-records.org Australian contemporary music, sound works and performances. Featuring Andrew Garton, Steve Law, Ollie Olsen, Terminal Quartet and other Secession Records artists and projects. Tue, 26 Jan 2010 02:00:48 +0000 http://wordpress.org/?v=2.9.1 en hourly 1 2004-2008 http://blog.secession-records.org/?feed=podcast contact@secession-records.org (Secession Records) contact@secession-records.org (Secession Records) Music 1440 andrew garton, ollie olsen, steve law, future eater, lost time accident, garton, law, terminal quartet, art music Sound information - Australian contemporary music, sound events and performances from Secession Records and artists. Australian contemporary music, sound works and performances. Featuring Andrew Garton, Steve Law, Ollie Olsen, Terminal Quartet and other Secession Records artists and projects. Secession Records Secession Records contact@secession-records.org No no http://www.secession-records.org/img/srlogo(144x144).gif http://blog.secession-records.org 144 144 http://blog.secession-records.org/podcast/106 http://blog.secession-records.org/podcast/106#comments Mon, 21 Sep 2009 05:47:17 +0000 secession http://blog.secession-records.org/?p=106 http://blog.secession-records.org/podcast/106/feed 0 33:10 Live, warts 'n' all recording of an opening set for Camp Sunset Oasis, Southern Right Hotel, Kommetjie, Cape Town. It was the 1st of August. ... Live, warts 'n' all recording of an opening set for Camp Sunset Oasis, Southern Right Hotel, Kommetjie, Cape Town. It was the 1st of August. The recording contains the occasional banter of DJ's and sound technicians as they complete the installation of the fold-back during my set. It makes for a rather amusing soundscape given most of my set was created with voice with two Headlock style pieces thrown in for good measure. From the mailout: Andrew Garton (aka Fierce Throat, Lost Time Accident) performs solo voice with oral microphone, hard curve saturation and open licensed visuals. Garton is an Australian composer working within a diverse arts practice that has seen him perform and exhibit internationally for near on 30 years. He brings to his new performance works inspiration from the music and cultural practices of the indigenous communities of Borneo, the makams that form the basis of traditional Turkish music to the theatrics and shrill songs of the Awa Odori festivals of Japan. Garton comes to Cape Town from a global nomadic tour having recently performed in Japan, Austria and Sarawak both solo and with his Terminal Quartet. Podcast Secession Records no No http://blog.secession-records.org/podcast/84 http://blog.secession-records.org/podcast/84#comments Sun, 24 Aug 2008 06:37:25 +0000 secession http://blog.secession-records.org/?p=84 http://blog.secession-records.org/podcast/84/feed 0 15:28 Andrew Garton teams up with Canadian born, Tokyo resident noise artist and guitarist, Kelly Churko. They perform Steel Red Sky Drift, a piece based around ... Andrew Garton teams up with Canadian born, Tokyo resident noise artist and guitarist, Kelly Churko. They perform Steel Red Sky Drift, a piece based around Garton's distinctive vocals. Performed live at Soup, Oichia, Tokyo, 23 August 2008. live,,ambient,,electronic,,contemporary,,art,music,,andrew,garton Secession Records no No http://blog.secession-records.org/podcast/77 http://blog.secession-records.org/podcast/77#comments Thu, 14 Aug 2008 12:02:56 +0000 secession http://blog.secession-records.org/?p=77 http://blog.secession-records.org/podcast/77/feed 0 16:16 On the eighth day of the eighth month of two thousand and eight I performed an entirely new solo set to mark the launch of ... On the eighth day of the eighth month of two thousand and eight I performed an entirely new solo set to mark the launch of my new album, Son of Science. At 11 pm I stepped into one of the simplest set uprsquo;s Irsquo;ve used in years, tipping into the unknown at Soup, the undisputed underground venue for Tokyorsquo;s noise and ambient scene. The ideas for the piece were first formulated in Brisbane when working on the recent Terminal Quartet piece, Licht Drift. The delivery was more in keeping with my former Fierce Throat pieces and was an entirely enjoyable, if but intense experience to realise! I was to play some acoustic guitar treatments, but couldnrsquo;t stop the PA from feeding backhellip; I was perched just above the sub! Guitar will have to wait! The entire evening was a splendid, reverberant evening of new, fresh and solid sound works from the crew at Soup, including the delightful Paul(ie) Dunphy (aka Evil Penguin). Podcast Secession Records no No